Solid Vihi 6 is a bold, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, album art, packaging, dramatic, futuristic, editorial, quirky, graphic, attention grabbing, experimental display, silhouette focus, graphic branding, stencil-like, geometric, ball terminals, inline cuts, alternating fills.
A sharply stylized display face built from thin hairlines paired with heavy, often fully filled masses, creating a striking two-tone rhythm across each letter. Many counters are collapsed into solid shapes or reduced to slit-like apertures, with frequent vertical stems rendered as narrow rules and bowls rendered as dense blocks. The construction leans geometric with circular forms and clean arcs, while details like small notches, inline cuts, and occasional ball terminals add an irregular, custom-drawn feel. Proportions vary noticeably from glyph to glyph—some letters are compact and monolithic while others are airy with long, delicate strokes—producing a deliberately uneven texture in text.
Best suited to large-format applications such as headlines, posters, titles, and branding where its solid bowls and razor-thin joins can be appreciated. It can also work for logo design and packaging where a distinctive, graphic texture is desired, but it is not optimized for extended small-size text.
The overall tone is theatrical and high-impact, mixing sleek, modern cues with eccentric cutout details. It reads as experimental and attention-seeking, with a slightly mysterious, sci-fi poster energy that feels more like visual branding than conventional reading text.
The design appears intended to maximize contrast and silhouette impact by collapsing counters and alternating solid and hairline elements. Its irregularities and cutout motifs suggest a goal of creating a memorable, custom display voice that stands apart from standard serif or sans families.
The heavy use of filled interiors and hairline connections makes the design highly size-dependent: at larger sizes the cutouts and slits read as intentional ornament, while at smaller sizes they may merge into simplified black shapes. Round characters (like O/Q and some numerals) become especially emblematic due to their near-solid discs and minimal openings, giving words a strong pattern of black punctuation-like dots and blocks.