Sans Superellipse Imnih 4 is a very bold, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, posters, logos, sports branding, gaming ui/ux, futuristic, sporty, techy, dynamic, industrial, convey speed, signal modernity, display impact, technical aesthetic, brand presence, oblique, extended, rounded corners, tightly spaced, ink-trap-like.
A heavy, oblique sans with extended proportions and a distinctly squared, superelliptical construction. Curves resolve into rounded-rectangle bowls and counters, and many joints show sharp, chamfered transitions that create a machined, angular rhythm. Stroke endings are predominantly flat and clipped, with occasional wedge-like notches and cut-ins that resemble ink-trap or stencil-inspired detailing. Numerals and lowercase follow the same geometric logic, keeping counters compact and corners consistently radiused for a cohesive, engineered look.
Best suited to short, high-impact settings such as headlines, event posters, product marks, esports or athletics identities, and tech or automotive branding. It can also work for interface headers, HUD-style overlays, and packaging callouts where a futuristic, performance-driven voice is desired. For paragraph-length reading, it will be strongest in larger sizes with generous spacing.
The overall tone is fast and assertive, evoking motorsport graphics, sci‑fi interfaces, and performance branding. Its forward slant and blocky geometry read as purposeful and technical rather than friendly, lending a sense of momentum and precision. The stylized cuts add a slightly aggressive, game-like edge.
The letterforms appear designed to communicate speed and modernity through a forward slant, extended stance, and superelliptical shapes. The consistent corner radius and strategic cut-ins suggest an intention to feel engineered—somewhere between industrial signage and sci‑fi display typography—while maintaining a unified geometric system across caps, lowercase, and figures.
The design relies on prominent corner rounding paired with angular internal cuts, producing a high-energy texture across words. In longer text the dense shapes can feel visually busy, especially where counters narrow and the oblique angle compresses internal space, so careful tracking and line spacing may be beneficial.