Sans Normal Likob 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Frutiger' by Linotype, 'PF Bulletin Sans Pro' by Parachute, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Nuno' by Type.p, and 'Alber New' and 'Hedley New' by moretype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, urgent, confident, dynamic, punchy, impact, emphasis, speed, modernity, solidity, oblique, chunky, rounded, compact, sturdy.
This typeface is a heavy, oblique sans with compact, rounded forms and a dense, even color on the page. Strokes are broadly uniform with minimal modulation, and curves are built from smooth, generous arcs that soften corners without becoming playful. Proportions skew slightly wide in key capitals (notably the rounded letters), while many verticals and diagonals keep a tight, forward-leaning stance; terminals are clean and largely straight-cut. Counters are relatively small for the weight, and letterfit appears firm, producing a strong, blocky rhythm that reads as engineered rather than handwritten.
Best suited for short, high-impact settings such as headlines, posters, promotional graphics, and bold brand lockups. It can work well on packaging or apparel-style graphics where a compact, energetic oblique sans helps communicate motion and strength; for longer text, its dense weight and tight counters are more likely to suit display sizes than extended reading.
The overall tone is assertive and energetic, with the slant adding momentum and a sense of speed. Its weight and compact spacing give it a commanding, no-nonsense feel suited to attention-grabbing messaging rather than delicate nuance.
The design appears intended to deliver maximum visual impact with a streamlined, modern sans construction, using a consistent heavy stroke and oblique posture to suggest speed and confidence. Its rounded geometry and clean terminals aim for contemporary clarity while keeping the overall silhouette compact and forceful.
Rounded shapes like O and C are nearly oval and slightly compressed by the oblique angle, while diagonals (V, W, X, Y, Z) feel sharp and athletic. Numerals are similarly heavy and simplified, maintaining consistent texture with the uppercase set for strong headline impact.