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Free for Commercial Use

Sans Normal Lariy 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Jarvis' by Alan Smithee Studio, 'Krong' by Joelmaker, 'Adequate' by K-Type, 'Gordita' by Type Atelier, and 'Inovasi' by XdCreative (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logo concepts, sporty, energetic, punchy, modern, confident, impact, motion, display, branding, emphasis, slanted, rounded, compact, blocky, smooth.


Free for commercial use
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A heavy, forward-slanted sans with smooth, rounded contours and compact internal spaces. Strokes are largely monolinear, with soft joins and subtly tapered terminals that keep the forms from feeling purely geometric. The letterforms favor broad, curved shoulders and bowls, while diagonals and angled cuts add speed and direction. Counters are relatively small for the weight, producing a dense, emphatic texture in words and lines.

This font is strongest in display contexts where impact and momentum matter, such as headlines, posters, sports or fitness branding, and bold packaging callouts. It can also serve as a starting point for logo concepts that want a fast, modern feel. Because of its dense weight and compact counters, it is best reserved for larger sizes and short-to-medium lengths of text.

The overall tone feels energetic and assertive, with a brisk, athletic slant that suggests motion and urgency. Its bold massing and rounded construction read as friendly but forceful, making it well suited to attention-grabbing messaging. The rhythm comes across as contemporary and headline-driven rather than quiet or literary.

The design appears intended to deliver a high-impact italic voice that stays clean and sans-serif while emphasizing speed and modernity. Rounded geometry and softened terminals aim to keep the bold tone approachable, while the consistent slant and tight spacing create a unified, promotional presence.

Uppercase shapes lean toward wide, stable silhouettes with simple construction, while lowercase forms maintain a sturdy, compact rhythm that holds together in large blocks of text. Figures are similarly robust and simplified, designed to match the strong typographic color of the alphabet. The forward angle is consistent across letters and numerals, reinforcing a cohesive ‘leaning into the message’ feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸