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Free for Commercial Use

Sans Normal Laliy 12 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart, 'Jarvis' by Alan Smithee Studio, 'Dikta Neue' by Atasi Studio, 'Grilova' by Gilar Studio, 'Equip' by Hoftype, 'Krong' by Joelmaker, 'Glimp' by OneSevenPointFive, 'Gogh' by Type Forward, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, energetic, friendly, retro, attention, impact, motion, approachability, display, oblique, rounded, soft corners, punchy, compact counters.


Free for commercial use
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A heavy, oblique sans with broad proportions and rounded, slightly squared-off curves. Stroke weight stays uniform with soft terminals and gentle inside rounding, producing compact counters and strong color on the page. The slant is consistent across capitals, lowercase, and figures, with sturdy verticals and diagonals that keep the shapes stable at display sizes. Numerals echo the letterforms with bold silhouettes and smooth curvature, maintaining an even rhythm across mixed text.

Best suited for headlines, short statements, and branding where a strong, dynamic voice is needed. It works well on posters, packaging, and sports or lifestyle graphics, and can hold up in large-scale wayfinding or promotional layouts where bold oblique text must read quickly.

The overall tone feels energetic and confident, with a sporty, forward-leaning attitude. Its rounded construction keeps it approachable despite the strong weight, giving it a friendly, punchy presence suited to attention-grabbing messaging.

The design appears intended to deliver maximum impact with a forward-leaning, energetic stance while staying friendly through rounded geometry. It prioritizes clear, solid silhouettes and a cohesive rhythm across letters and numbers for confident display typography.

Round characters like O, C, and G read as robust ovals, while angular letters (K, V, W, X, Y) use broad diagonals that reinforce the dynamic slant. Lowercase forms appear compact and solid, emphasizing impact over delicacy, and the figures are designed to match the same bold, rounded logic for consistent headline typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸