Sans Other Epso 3 is a very bold, wide, very high contrast, upright, tall x-height font visually similar to 'Gokan' by Valentino Vergan (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, album art, industrial, sci‑fi, authoritative, edgy, mechanical, impact, futurism, stencil effect, texture, branding, stencil, modular, geometric, angular, compressed counters.
A heavy, geometric sans with blocky, near-rectilinear construction and tightly controlled curves. Many forms are built from solid vertical slabs and squared bowls, interrupted by narrow internal cuts that read like stencil breaks or inlaid channels. Corners are mostly hard and planar, while select strokes introduce abrupt rounding or chamfered terminals, creating a machined, modular rhythm. The spacing and counters are generally tight, and the alternation of solid mass and thin voids produces a distinctive striped texture across words.
Best suited to display settings where its mass and internal cut details can be appreciated—headlines, posters, title cards, branding marks, and bold packaging callouts. It can also work for short UI labels or wayfinding-style tags when sizes are large enough to keep the internal breaks from filling in.
The overall tone is industrial and futuristic, with a utilitarian, engineered feel. The stencil-like interruptions and dense black presence suggest caution signage, tech hardware labeling, or dystopian sci‑fi titles. It reads assertive and modern, leaning more mechanical than friendly.
The design appears intended to deliver maximum impact with a constructed, stencil-inspired aesthetic, combining geometric sans foundations with deliberate internal voids to create a signature texture. It prioritizes presence and visual identity over neutral readability, aiming for a strong, industrial-tech voice.
The internal cutlines vary by glyph and sometimes shift position, giving the face a constructed, assembled quality rather than a purely monolinear system. In text, the strong vertical emphasis and frequent interior slits create a pronounced patterning effect that becomes a major part of the voice.