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Serif Flared Opge 1 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Matchbox Font Collections' by Adam Fathony and 'Brewery Factory' by Larin Type Co (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, book covers, vintage, editorial, dramatic, sturdy, playful, impact, nostalgia, display, personality, attention, flared terminals, ink-trap feel, soft bracketing, high-shouldered, wedge-like serifs.


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A heavy, display-oriented serif with broad proportions and strongly flared stroke endings that read like wedge serifs and tapered terminals. Strokes are robust with subtle modulation, and the joinery is soft rather than sharply mechanical, giving counters a slightly sculpted, inked-in feel. The alphabet shows lively width variation from glyph to glyph, with compact bowls on some letters and more expansive forms on others, creating an energetic rhythm. Lowercase forms are sturdy and rounded, with a single-storey a and g, prominent dots on i/j, and a generally dense, dark texture that holds together in large sizes.

This font is best suited to headlines, posters, and bold branding where its sculpted serifs and dense color can read as a deliberate style statement. It can work well on packaging and book covers, especially for projects seeking a classic-but-punchy display serif. For longer passages, it will likely perform best in short bursts such as pull quotes, section headers, and display copy.

The overall tone is bold and vintage-leaning, suggesting classic editorial or poster typography with a hint of old signage. Its flared endings and compact interior spaces create a confident, slightly theatrical voice that feels both sturdy and inviting. The lively proportions keep it from feeling strictly formal, adding a friendly, expressive edge.

The design appears intended to deliver maximum presence with a distinctive serif treatment, using flared terminals and broad shapes to create a memorable, editorial display voice. Its letter-to-letter width variation and rounded construction suggest a focus on expressive texture and personality over strict typographic neutrality.

In the sample text, the dense color and short apertures create strong impact, while the flared terminals help maintain character separation at large sizes. Numerals appear weighty and rounded, matching the letterforms’ dark, cohesive texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸