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Free for Commercial Use

Distressed Muza 3 is a light, wide, medium contrast, upright, normal x-height font.

Keywords: posters, book covers, packaging, editorial, headlines, vintage, gritty, writerly, handmade, aged print, analog texture, authenticity, rough character, editorial tone, typewriter-like, textured, irregular, blotchy, roughened.


Free for commercial use
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A distressed serif with a typewriter-like skeleton and noticeably roughened contours. Strokes are relatively even and light, with small bracketed serifs and slightly softened corners that look worn or ink-bitten. Letterforms show subtle width and stroke irregularities across the set, creating an uneven rhythm that reads as mechanically struck but imperfectly printed. The texture appears consistent across uppercase, lowercase, and numerals, with counters and terminals showing occasional nicks and swelling that mimic degraded impressions.

Well suited for display and short-to-medium passages where a worn, printed character is desirable—posters, book covers, album art, packaging, and editorial headlines. It can also work for pull quotes or captions when you want a documentary or archival feel, provided the reproduction size is not too small so the distress doesn’t clog.

The overall tone feels archival and utilitarian, like text pulled from an old report, field notes, or a weathered paperback. Its rough edge treatment adds grit and human presence, suggesting age, friction, and authenticity rather than polish. The font projects an understated, documentary mood that can lean noir or industrial depending on layout and color.

The design appears intended to capture the look of aged print or imperfect impressions—combining a familiar serif structure with deliberate erosion and ink variation. It aims to deliver a believable, analog texture while keeping forms recognizable enough for practical use in titles and text-led compositions.

In running text the distressed detail stays visible, producing a lively sparkle in the texture while maintaining clear letter identities. Uppercase forms are sturdy and straightforward, while lowercase retains a simple, readable construction; the numerals match the same worn, stamped character. The texture is strong enough to be a defining feature, so generous size and contrast help preserve legibility in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸