Sans Faceted Tila 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Jaturat' by Jipatype (names referenced only for comparison).
Keywords: headlines, logos, posters, game ui, packaging, techno, sci‑fi, industrial, arcade, futuristic, futuristic display, industrial labeling, digital styling, high impact, octagonal, chamfered, angular, blocky, stencil‑like.
A heavy, geometric sans with squared counters and pronounced chamfered corners that replace curves with flat facets. Strokes are consistently thick with largely uniform terminals, creating a compact, modular rhythm and a strong, sign-like silhouette. Bowls and apertures stay rectangular and slightly rounded only by angled cuts, while diagonals (notably in K, V, W, X, Y) are simplified into crisp, mechanical joins. Numerals follow the same octagonal logic, with boxed forms and tight internal windows for a cohesive, systematized texture.
Well suited to headlines, logos, and branding where a high-impact, futuristic voice is desired. It also fits game/UI titles, tech or hardware-themed graphics, posters, packaging, and badges where sturdy, modular letterforms reinforce an industrial or digital aesthetic.
The overall tone is futuristic and utilitarian, evoking digital hardware labeling, arcade-era display lettering, and industrial equipment markings. Its hard facets and squared interiors give it an engineered, tactical feel—confident, robust, and intentionally non-organic.
The design appears intended to translate a faceted, machined geometry into a readable sans, prioritizing strong silhouettes and consistent corner logic over softness or calligraphic nuance. It aims to deliver a bold, system-like look that feels at home in tech, sci‑fi, and display contexts.
The face maintains clear differentiation between similar shapes through distinctive corner cuts and interior counters, helping recognition in short bursts of text. The dense, dark color and tight inner spaces suggest it will read best when given adequate size and breathing room, especially in extended lines.