Font Hero

Free for Commercial Use

Sans Superellipse Ikbih 5 is a very bold, wide, medium contrast, upright, tall x-height font.

Keywords: headlines, posters, packaging, branding, signage, bold, friendly, playful, retro, chunky, impact, approachability, retro feel, logo readiness, display clarity, rounded, blocky, soft corners, compact counters, high impact.


Free for commercial use
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A heavy, rounded-rectangle sans with broad proportions and softly squared curves. Strokes are consistently thick, with compact internal counters and blunt terminals that keep silhouettes dense and graphic. Curves feel superelliptical rather than circular, giving letters a structured, cushiony geometry; joins are smooth and corners are rounded without becoming bubbly. The rhythm is sturdy and even, with simplified forms and minimal modulation that read cleanly at display sizes.

Best suited to headlines, poster typography, packaging, and bold brand marks where dense shapes and rounded structure can carry visual impact. It also works well for signage and short, emphatic callouts, especially when you want a friendly, retro-leaning presence. For extended paragraphs, it benefits from larger sizes and generous spacing to avoid an overly dark texture.

The overall tone is upbeat and confident, combining a toy-like softness with a poster-weight punch. Its rounded blocks and tight counters create a warm, approachable feel while still projecting authority and impact. The look nods to retro signage and bold headline typography, landing somewhere between playful and assertive.

This design appears intended to deliver maximum impact with a soft-edged, geometric voice—combining sturdy, block-like forms with rounded superellipse curves for approachable display typography. The simplified construction and consistent weight suggest a focus on strong silhouettes that hold up in branding and attention-grabbing text.

Numerals and caps maintain the same compact, carved-out counter style as the lowercase, producing a unified, logo-ready texture. The ampersand and punctuation adopt the same chunky construction, keeping color and density consistent across text. In longer settings, the dark typographic color and tight interior spaces make it most effective when given ample size and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸