Slab Square Subun 13 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'OL Egyptian' by Dennis Ortiz-Lopez, 'Hefring Slab' by Inhouse Type, 'Gaspo Slab' by Latinotype, 'DilleniaUPC' by Microsoft Corporation, and 'LFT Etica Sheriff' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, editorial, branding, sports, confident, classic, sporty, sturdy, emphasis, impact, authority, readability, heritage, bracketed serifs, blocky serifs, tight apertures, strong italics, compact spacing.
This typeface is a heavy, right-leaning serif with prominent slab-like feet and broadly squared terminals. Strokes are thick and relatively even, with subtle modulation that keeps the texture solid and dense. Serifs read as blocky and supportive, often slightly bracketed into the stems, and the joins and curves are cut cleanly for a crisp, print-forward look. Counters tend to be compact and apertures are somewhat tight, producing a strong, unified rhythm in words and a sturdy presence in all caps.
It performs best in headlines, pull quotes, and short editorial passages where a dense, emphatic texture is desirable. The strong slant and blocky serifs also make it effective for branding, packaging, and sports or event graphics that need a forceful, energetic serif.
The overall tone is assertive and traditional, with an energetic italic slant that adds motion and emphasis. It feels confident and workmanlike—more about impact and authority than delicacy—making it well suited to strong statements and headline-driven layouts.
The design appears intended to deliver a bold, italic serif voice with slab-supported stability—combining traditional serif structure with a more graphic, impact-oriented build. Its consistent weight and squared finishing suggest a focus on legibility at larger sizes and a commanding presence in layout systems.
All-caps show a particularly robust silhouette, while the lowercase maintains a compact, punchy color that holds together in paragraphs. Numerals and punctuation follow the same squared, sturdy construction, supporting a consistent typographic voice across text and display sizes.