Sans Superellipse Onmoh 9 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: ui design, app branding, tech packaging, signage, dashboards, tech, futuristic, clean, neutral, modular, modernization, ui clarity, geometric cohesion, distinctive branding, rounded corners, rectilinear, geometric, compact curves, crisp terminals.
A geometric sans built from squared forms softened by generous corner radii, giving many characters a rounded-rectangle (superellipse-like) footprint. Strokes stay consistent with a smooth, even thickness and minimal contrast, while curves are restrained and often resolve into straight segments. Counters are boxy and open, apertures are relatively wide, and many terminals end in flat, horizontal or vertical cuts for a crisp, engineered look. The overall spacing and rhythm feel measured and slightly expanded, with sturdy, high-clarity shapes across caps, lowercase, and numerals.
Well-suited to interface typography, dashboards, and product environments where clean geometry and consistent stroke behavior support quick recognition. It also works for contemporary branding, tech-focused packaging, wayfinding, and short-to-medium text in digital settings where a precise, modern texture is desired.
The tone is modern and technical, with a subtle sci‑fi and interface feel. Its rounded corners keep it approachable, while the rectilinear construction reads precise, digital, and system-oriented. The result is a controlled, contemporary voice that feels at home in product and screen contexts.
The design appears intended to deliver a streamlined, modern sans with a distinctive rounded-rectangular construction—combining digital precision with softened corners for a friendly, contemporary presence. Its consistent stroke and modular shapes suggest a focus on clarity, repeatable geometry, and reliable performance in system-like and branding applications.
Several forms emphasize squared bowls and superelliptic curves (notably in O/0 and rounded letters), reinforcing a modular, UI-like geometry. Diagonals in letters like K, V, W, X, and Y remain clean and straight, balancing the otherwise rounded-rectangular motifs. Numerals follow the same design logic, with squared counters and consistent corner treatment for a cohesive alphanumeric set.