Sans Superellipse Onrom 6 is a bold, normal width, monoline, upright, tall x-height font.
Keywords: headlines, logos, posters, ui labels, signage, futuristic, tech, digital, clean, geometric, tech aesthetic, systematic geometry, display clarity, modern branding, rounded corners, squared curves, high-contrast shapes, wide apertures, stencil-like cuts.
A geometric sans built from rounded-rectangle (superellipse-like) forms with softened corners and largely uniform stroke thickness. Curves resolve into squared bowls and flat terminals, creating a modular, almost circuit-like silhouette across letters and figures. Counters tend to be rectangular and open, with generous interior space and clear separation in tight joins, while diagonals (as in K, V, W, X, Y) remain crisp and straight. Lowercase forms keep a tall, sturdy presence, with simplified construction and minimal tapering, and numerals follow the same squared-round logic for a consistent, engineered texture.
Best suited to display and short-to-medium text where its geometric construction can read clearly: tech branding, game titles, posters, packaging, and interface labels. It can also work for signage and wayfinding where a modern, engineered tone is desired and letterforms need to stay legible at a distance.
The overall tone is modern and technical, with a sci‑fi and interface-oriented feel driven by its rounded-square geometry and precise, machined rhythm. It reads as confident and utilitarian rather than expressive, suggesting digital systems, signage, and product UI. The softened corners add approachability while keeping a distinctly synthetic, high-tech character.
The design appears intended to deliver a contemporary, techno-geometric voice by standardizing shapes into rounded squares and consistent straight segments. It prioritizes a modular system look—clear, reproducible forms that feel designed for digital contexts—while retaining enough openness in counters and apertures to stay readable in practical settings.
Distinctive details include the squared bowls on letters like C, G, O, and Q, and the boxy, open counters that maintain clarity at display sizes. The font’s rhythm is strongly modular, with repeated corner radii and consistent internal shapes that make it feel cohesive in sequences of caps, lowercase, and numerals.