Sans Contrasted Gepo 11 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, sports branding, punchy, playful, retro, poster-like, confident, impact, attention, personality, display readability, retro flair, rounded, blocky, soft corners, bulky, bouncy.
A heavy, wide sans with rounded contours and an ink-trap-like feel created by deep internal notches and chunky counters. Strokes are strongly modeled, with pronounced thick–thin transitions and tapered joins that give curves (C, G, S, O) a sculpted, slightly pinched rhythm. Terminals tend to be blunt but softened, and many letters show distinctive cut-ins around bowls and joins (notably in B, R, a, e, s), producing a lively, irregular texture while remaining clean and solid at display sizes. Numerals follow the same broad, weighty construction with compact apertures and bold silhouettes.
Best suited for large-scale display work such as posters, titles, and bold brand marks where its wide stance and sculpted contrast can be appreciated. It also fits packaging and promotional graphics that benefit from a friendly, high-impact voice, and can work for short pull quotes or splashy UI hero text when set with generous spacing.
The overall tone is loud and energetic, with a friendly, cartoon-adjacent warmth rather than a strict geometric neutrality. The exaggerated mass and cut-in shaping reads as retro-inspired and attention-grabbing, suited to bold headlines that want personality without becoming decorative script or novelty lettering.
The design appears intended to deliver maximum impact with a warm, approachable character, using wide proportions and carved-in counter shaping to create distinctive silhouettes. Its modeled contrast and chunky construction suggest a focus on expressive display typography rather than neutral, long-form readability.
In text settings the strong internal notches and tight counters create a dense, high-impact color, and the wide proportions emphasize horizontality. Letters like S and a show especially distinctive counter shaping, which helps recognition in short phrases but can feel busy in long paragraphs.