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Free for Commercial Use

Serif Other Akmo 5 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Hando Soft' by Eko Bimantara, 'FS Aldrin' by Fontsmith, 'Cobbler' and 'Cobbler Sans' by Juri Zaech, 'Genora Sans' by Pixesia Studio, and 'Founder Rounder' by Serebryakov (names referenced only for comparison).

Keywords: children’s books, packaging, posters, headlines, branding, playful, friendly, handmade, casual, quirky, human warmth, approachability, handmade charm, cheerful display, casual readability, rounded, soft, bouncy, informal, cartoonish.


Free for commercial use
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This font presents a rounded, hand-drawn serifless-looking construction with soft terminals and gently irregular contours that create a lively rhythm. Strokes are fairly even but subtly fluctuate, with slightly wobbly curves and flattened joins that keep the texture organic rather than geometric. Capitals are broad and open, with simple, softened corners; lowercase forms are compact and legible, with single-storey shapes (notably the “a”) and generous counters. Numerals follow the same casual drawing logic, with friendly curves and slightly uneven proportions that reinforce the informal, made-by-hand feel.

It works best for short to medium display copy where a warm, playful voice is desired—such as children’s materials, casual branding, product packaging, posters, and social graphics. It can also serve for emphasis in editorial layouts when a handmade, friendly contrast is needed.

The overall tone is upbeat and approachable, reading as friendly and unpretentious rather than formal. Its small quirks and soft edges give it a conversational, kid-friendly character that feels personal and crafty.

The design appears intended to mimic a marker- or brush-drawn alphabet with softened, approachable shapes, prioritizing charm and personality over strict geometric precision. Its consistent rounding and slight irregularities suggest a goal of creating a human, inviting texture in headlines and expressive text.

Spacing appears comfortable and open in the text sample, helping the irregular stroke behavior remain readable at display sizes. The design leans on simplified forms and rounded endings throughout, producing a consistent, cohesive texture across letters and digits.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸