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Free for Commercial Use

Stencil Jori 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Evanston Tavern' by Kimmy Design, 'Brainy Variable Sans' by Maculinc, 'Hemispheres' by Runsell Type, 'Nulato' by Stefan Stoychev, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: posters, signage, packaging, headlines, logotypes, industrial, military, utilitarian, authoritative, retro, stencil marking, rugged labeling, high impact, geometric utility, octagonal, chamfered, blocky, angular, high-contrast counters.


Free for commercial use
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A heavy, angular stencil with squared proportions and prominent chamfered corners. Strokes are cut with consistent weight and crisp, straight edges, while strategic breaks create clear stencil bridges through bowls and stems. The letterforms lean geometric and octagonal, with tight apertures and compact counters that emphasize a dense, punchy texture in text. Uppercase and lowercase maintain a sturdy, engineered rhythm, and the numerals follow the same segmented, cut-in construction for a uniform set.

Best suited to display uses where impact and a hard-edged stencil flavor are desired—posters, warning-style signage, product or crate-inspired packaging, and bold headlines. It can also work for compact logotypes or badges when the angular stencil identity is a central brand cue.

The overall tone is industrial and no-nonsense, evoking painted markings, equipment labeling, and rugged signage. Its sharp corners and deliberate interruptions feel authoritative and practical, with a slightly retro, militaristic edge.

The design appears intended to deliver a strong stencil look with disciplined, geometric construction—prioritizing robustness, reproducibility, and a marked, industrial character. The consistent bridging and chamfered geometry suggest a focus on creating a cohesive set for attention-grabbing titles and labeling aesthetics.

The stencil breaks are consistently applied across rounds like O/Q and across verticals, giving the face a recognizable “cut” signature at both display and headline sizes. The angular joins and flattened curves keep the texture rigid and mechanical rather than soft or handwritten.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸