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Stencil Ispi 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Akzidenz-Grotesk Next' by Berthold, 'Mollen' by Eko Bimantara, 'Applied Sans' by Monotype, 'Pragmatica' by ParaType, and 'Kropotkin Std' by sugargliderz (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, military, utilitarian, bold, mechanical, stencil marking, impact display, systematic cuts, rugged styling, blocky, angular, notched, high-impact, poster-like.


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A heavy, block-based stencil design with broad strokes and prominent vertical terminals. Letterforms are largely geometric with squared shoulders and simplified curves, interrupted by consistent stencil breaks—often a central vertical split or strategic notches that keep counters open. Curves in letters like C, G, O, and Q are cut cleanly, while diagonals in A, V, W, X, and Y are chunky and sharply joined. The overall rhythm is compact and forceful, favoring solid masses over fine detail, with straightforward punctuation-like cuts that maintain clarity at display sizes.

Best suited for display settings where strong silhouette and immediate recognition matter, such as posters, headlines, signage, packaging, and product or shipping labels. It can also work for short brand statements or section headers, but the repeated stencil cuts can become visually busy in long passages at smaller sizes.

The font conveys a functional, industrial tone associated with labeling, equipment marking, and assertive headline typography. Its hard edges and systematic breaks feel engineered and no-nonsense, evoking durability and authority rather than softness or elegance.

The design appears intended to deliver a rugged stencil aesthetic with high visual impact and clear internal bridges that preserve form integrity. Its simplified geometry and consistent breaks prioritize reproducibility and a strong marked-on-surface look over typographic nuance.

The stencil bridges are visually dominant and become a key part of the texture in running text, creating a repeated pattern of vertical interruptions across words. Numerals follow the same cut logic—especially 0, 8, and 9—reinforcing a cohesive, signage-like system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸