Sans Faceted Koza 1 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, logotypes, posters, game ui, packaging, techno, industrial, sci‑fi, retro, mechanical, futurism, impact, system design, geometric branding, interface tone, octagonal, angular, chamfered, geometric, cornered.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with octagonal facets. Counters are mostly rectangular with sharp internal angles, and bowls and rounds resolve into stepped, planar segments. Strokes stay consistently thick, with squared terminals and frequent chamfers that create a hard-edged rhythm. The overall proportions feel expansive and blocky, with compact apertures and a tightly engineered, modular construction across caps, lowercase, and numerals.
Best suited to large sizes where its angular detailing and tight counters remain clear—headlines, logos, game/interface typography, posters, and bold branding systems. It can also work for short labels on packaging or tech-themed signage, but extended body copy may feel dense due to the compact apertures and heavy, blocky texture.
The font conveys a futuristic, machine-made tone—confident, utilitarian, and slightly arcade-like. Its faceted construction reads as technical and weaponized, suggesting precision hardware, industrial signage, and science-fiction interfaces rather than softness or handwriting.
The design appears intended to deliver a strong, modernist impact through faceted geometry and consistent stroke mass, translating rounded forms into planar cuts for a distinctly engineered look. It prioritizes recognizability and attitude over softness, aiming for high-contrast presence in display settings.
The lowercase closely echoes the uppercase structure, reinforcing a uniform, systemized texture in text. Diagonals are kept minimal and resolved with bevels, giving letters like K, V, W, X, and Y a robust, braced feel. Numerals follow the same corner-cut logic, maintaining a consistent, stencil-like geometry without true breaks.