Sans Normal Abkuf 10 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Malva' by Harbor Type; 'Jam Adega' by JAM Type Design; 'Interval Next' by Mostardesign; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Bartosh' by jpFonts (names referenced only for comparison).
Keywords: ui text, editorial, branding, signage, captions, modern, dynamic, clean, approachable, efficient, readability, emphasis, modern utility, neutral tone, clarity, oblique, humanist, open apertures, soft curves, generous spacing.
This typeface is a slanted sans with smooth, rounded construction and a consistent, low-contrast stroke. Letterforms favor open apertures and clear countershapes, with gently tapered terminals and subtly softened joins that keep the texture even. The rhythm is airy and readable, with modestly wide bowls and diagonals that feel steady rather than sharp. Figures follow the same rounded, streamlined logic, producing a cohesive line when mixed with text.
It performs well for interface typography, captions, and general editorial settings where an italic voice is needed but readability must remain high. The clear shapes and open counters make it suitable for short headlines and brand messaging, and the calm, even texture also supports wayfinding or signage at moderate sizes.
The overall tone feels modern and energetic without becoming aggressive. Its oblique stance adds motion and emphasis, while the rounded detailing keeps the voice friendly and accessible. The result reads as practical and contemporary—well suited to interfaces and brand systems that want clarity with a bit of forward lean.
The design appears intended as a workhorse oblique sans that delivers emphasis and motion while preserving neutral, high-legibility forms. Its rounded geometry and restrained detailing suggest a focus on clarity, consistency, and broad usability across contemporary communication contexts.
The italic angle is pronounced enough to signal emphasis at text sizes, yet the forms remain stable and not calligraphic. Curves in letters like C, G, S, and e are smooth and open, and the numerals maintain a straightforward, utilitarian presence that matches the text. Spacing appears comfortably set, contributing to a clean, even paragraph color in the sample text.