Sans Faceted Ufla 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Block Capitals' by K-Type, 'Midfield' by Kreuk Type Foundry, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: sports branding, esports, posters, headlines, logos, athletic, industrial, action, techno, arcade, speed, impact, modernity, ruggedness, angular, faceted, blocky, compact, slanted.
A heavy, forward-slanted display sans built from clipped, planar strokes rather than smooth curves. The letterforms rely on sharp chamfers, flattened corners, and polygonal counters, producing a consistently faceted silhouette across capitals, lowercase, and numerals. Strokes are dense and uniform, with tight internal spaces in characters like B, O, P, and 8, while open forms (E, F, T) keep broad, blunt terminals. The overall rhythm is compact and sturdy, with squared-off geometry and a slight rightward lean that reinforces motion.
Best suited for short, high-impact text such as sports identities, esports team marks, event posters, packaging callouts, and bold UI headers in games or tech-themed layouts. It performs especially well when set large, where the faceted cuts and slant can be clearly read and contribute to the overall momentum.
The font reads as energetic and assertive, with a sporty, tactical edge. Its angular construction and italic slant suggest speed and impact, lending a competitive, game-like tone that feels modern and mechanical rather than friendly or classic.
The design appears intended to deliver a fast, aggressive display voice using angular, engineered geometry. By replacing curves with controlled facets and keeping a compact, weighty build, it aims for strong presence and instant recognizability in branding and headline contexts.
Distinctive chamfering appears consistently at outer corners and key joins, giving many glyphs a cut-metal or stenciled-by-facets feel without true stencil breaks. Numerals are similarly blocky and optimized for punch at larger sizes; counters can close up in smaller settings due to the heavy mass and tight apertures.