Sans Faceted Ufve 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut, 'Robson' by TypeUnion, 'Aeroscope' by Umka Type, and 'Muscle Cars' by Vozzy (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, sports branding, industrial, arcade, bold, mechanical, poster-ready, high impact, retro tech, industrial flavor, title display, graphic branding, angled, faceted, blocky, condensed, squared terminals.
A compact, heavy display sans built from crisp planar facets rather than continuous curves. Strokes keep a consistent thickness and end in squared, sheared terminals, creating a cut-metal silhouette with small chamfered corners and occasional notches. Counters are tight and often rectangular, with a generally squared geometry across rounds like O/C/G and numerals, while diagonals appear as short, angled cuts. The rhythm is dense and vertical, with tall, compressed capitals and sturdy lowercase forms that maintain the same angular construction.
Best suited to large-scale settings where its angular construction and dense texture can read cleanly—posters, headlines, title cards, and bold brand marks. It also fits labels and packaging that want an industrial or game-inspired tone, especially when set with generous tracking to open up the counters.
The overall tone feels tough and engineered—more like stamped lettering than handwritten type. Its sharp facets and compact massing suggest retro-futuristic machinery and arcade-era graphics, delivering an assertive, no-nonsense voice that reads as energetic and utilitarian.
The type appears designed to translate a faceted, hard-surface aesthetic into a condensed display alphabet that stays consistent across uppercase, lowercase, and numerals. Its clipped geometry emphasizes impact and stylistic distinctiveness over neutrality, aiming for immediate recognition in short runs of text.
The design relies on a consistent system of chamfers and clipped corners, which helps unify letters, numerals, and punctuation in headings. In the sample text, the weight and tight internal spaces create strong color on the page, making word shapes bold but potentially busy at smaller sizes.