Sans Faceted Egka 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Good' by FontFont, 'Dobra' by Monotype, 'Performa' by Resistenza, 'Montreal Serial' by SoftMaker, 'TS Montreal' by TypeShop Collection, 'Merlo Neue' by Typoforge Studio, and 'Ambra Sans' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, athletic, industrial, comic-book, aggressive, retro, impact, energy, ruggedness, retro display, branding, angular, faceted, blocky, chiseled, slanted.
A heavy, angular display face built from sharp planar cuts rather than smooth curves. Strokes are thick and uniform, with corners frequently chamfered into short diagonals that create a faceted, almost carved silhouette. The overall stance is forward-leaning, and the rhythm is compact and punchy, with sturdy counters (notably in O, Q, and 8) formed as polygonal openings. Lowercase forms remain robust and simplified, with a single-storey a and g and squared, notched terminals that keep the texture bold and consistent across words.
Best suited for short, high-impact settings such as headlines, posters, athletic or team branding, event graphics, and logo wordmarks. It can also work well on packaging and merchandise where a bold, energetic texture helps elements stand out, especially in single-color applications.
The faceted construction and strong slant give the font a forceful, kinetic tone that reads as sporty and assertive. Its sharp edges and chunky presence evoke action-oriented graphics, arcade-era titling, and rugged branding where impact matters more than refinement.
The design appears intended to deliver maximum punch through broad strokes and a distinctive faceted geometry, replacing curves with angular cuts to suggest speed and toughness. The consistent chiseled detailing across uppercase, lowercase, and figures points to a display-first font meant for branding and titling rather than extended text.
Capitals feel slightly condensed in their inner spaces, while numerals are especially blocky and emblem-like, aiding quick recognition at large sizes. The repeated diagonal clipping across many glyphs creates a cohesive “cut metal” motif, but also increases visual noise at small sizes where facets can merge.