Sans Normal Afgul 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Possible' by K-Type, 'Camphor' by Monotype, 'Journal Sans Old School' by ParaType, 'Arazatí' by TipoType, and 'Arazatí' by Underground (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, confident, modern, casual, express motion, maximize impact, modern utility, brand emphasis, oblique, geometric, clean, compact, punchy.
This typeface is a slanted, low-contrast sans with smooth, rounded construction and solid, even stroke weight. Letters lean consistently to the right, with compact apertures and a generally closed, sturdy feel in bowls and counters. Curves are clean and elliptical, terminals are crisp without decorative endings, and the overall rhythm is tightly spaced and energetic. The numerals follow the same oblique stance and simplified forms, reading clearly with a straightforward, contemporary silhouette.
Best suited for short, high-impact text such as headlines, posters, brand marks, and packaging where the forward-leaning stance can signal speed and decisiveness. It also works well for athletic or performance-oriented branding and promotional graphics, and for attention-grabbing UI or signage where a compact, forceful voice is desired.
The overall tone is fast, assertive, and contemporary, with an athletic emphasis created by the forward slant and dense, confident letterforms. It feels practical and no-nonsense, but still approachable due to the rounded geometry and smooth curves. The look suggests motion and momentum rather than formality.
The design appears intended to deliver a contemporary sans voice with built-in motion: a consistent oblique angle, sturdy construction, and rounded geometry that stays clean and legible while projecting energy. It prioritizes impact and directional emphasis over delicacy, aiming for a versatile display-to-short-text role in modern graphic contexts.
Uppercase shapes are broad and stable with uniform stroke behavior, while lowercase forms keep a compact, utilitarian structure (notably the single-storey-style simplicity in rounded letters and the tight joins in multi-stem characters). The italics are integral rather than a subtle slant, giving the face a strong directional personality that becomes more pronounced at display sizes.