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Free for Commercial Use

Sans Normal Sudaj 6 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Begum Sans' by Indian Type Foundry, 'JT Douro Sans' by JAM Type Design, 'Norma' and 'Optima Nova' by Linotype, 'Tabac Glam' by Suitcase Type Foundry, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, branding, posters, packaging, neutral, modern, confident, clean, modern refinement, clarity, editorial tone, brand presence, display impact, crisp, sculpted, geometric, open apertures, sharp terminals.


Free for commercial use
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This typeface presents a clean, contemporary sans structure with clearly modeled strokes and pronounced contrast between thick verticals and finer connecting strokes. Curves are smooth and controlled, with round counters that feel close to geometric while still slightly softened by optical shaping. Terminals are mostly sharp and straight-cut, giving letters a crisp, carved finish, while diagonals (as in V, W, X, and Y) read taut and well-balanced. Uppercase forms appear sturdy and evenly proportioned, and the lowercase maintains clear differentiation with simple, legible shapes and open interior spaces.

It is well-suited for headlines, subheads, and editorial typography where a refined, contemporary sans with visible stroke contrast can add character without becoming decorative. It can also work effectively in branding and packaging, especially when set at medium to large sizes to highlight its crisp terminals and sculpted curves.

Overall it feels modern and composed, projecting a confident, editorial tone rather than a playful or quirky one. The high-contrast sans treatment adds a refined, slightly fashion-leaning polish while keeping a straightforward, neutral voice for general typography.

The design appears intended to blend the directness of a neutral sans with the sophistication of high-contrast modeling, offering a polished voice for contemporary communication. Its shapes aim for clarity and balance, with enough distinctive contrast and finish to stand out in display and identity work.

Numerals are clear and proportional, with a straightforward, readable construction suited to mixed text settings. The sample text shows stable rhythm and consistent spacing, with good clarity at larger sizes where the contrast and crisp terminals become a defining visual feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸