Sans Superellipse Gebor 7 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe; 'Taz' and 'TheSans' by LucasFonts; 'Fenomen Sans' by Signature Type Foundry; and 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, advertising, sporty, assertive, energetic, modern, punchy, impact, momentum, modernization, brand punch, display clarity, slanted, compact, rounded, blocky, soft corners.
A compact, heavy sans with a consistent rightward slant and rounded-rectangle construction in its bowls and counters. Strokes are thick and largely uniform, with softened corners and gently curved joins that keep the dense shapes from feeling harsh. The letterforms are relatively condensed with tight internal spaces, and the overall rhythm is driven by sturdy verticals and broad, rounded curves. Numerals match the same blocky, rounded proportions, producing a cohesive, high-impact texture in text.
Best suited to headlines, short statements, and display settings where bold emphasis is needed—posters, sports and fitness branding, packaging callouts, and advertising. It can work for brief UI labels or navigation where a strong voice is desired, but the dense weight and tight counters make it better in larger sizes than in long-form reading.
The overall tone is forceful and energetic, with a sporty, forward-leaning momentum. Its rounded geometry adds a friendly, contemporary softness while the mass and compact width keep it bold and attention-grabbing. The slant contributes a sense of speed and urgency suited to dynamic messaging.
The design appears intended as a high-impact italic display sans that combines speed cues with rounded, modern geometry. It prioritizes strong silhouettes and compact word shapes for attention-driven typography.
In the sample text, the weight and condensed proportions create strong word shapes and a dark typographic color, especially in longer lines. Round letters like O/Q and the two-storey-style structure of forms such as g read as thick, superelliptic silhouettes with tight counters, emphasizing impact over delicacy.