Sans Superellipse Iklem 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Faculty' by Device, 'Allotrope' by Kostic, 'Byker' and 'Norpeth' by The Northern Block, 'LFT Etica' by TypeTogether, and 'Domotika Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, promotions, sporty, punchy, playful, energetic, confident, impact, speed, bold branding, friendly strength, display emphasis, rounded, compact, slanted, chunky, soft-cornered.
A heavy, slanted sans with broad, rounded-rectangle construction and tightly enclosed counters. Curves read as superelliptical and softly squared, while terminals are blunt and clean, giving the letters a compact, blocky footprint. The rhythm is lively, with a forward lean and occasional asymmetry in joins and bowls (notably in lowercase), plus slightly varied widths that keep words feeling dynamic rather than rigid. Numerals and capitals maintain the same chunky, rounded-corner logic, staying dense and highly graphic.
Best suited to short, high-impact settings such as headlines, posters, event graphics, sports or streetwear branding, packaging callouts, and promotional messaging. It works especially well when you want a loud, energetic typographic voice and can give it enough size and breathing room for counters to remain clear.
The overall tone is assertive and kinetic, pairing bold mass with friendly rounding. It feels sporty and promotional, with a playful edge that suggests speed, impact, and modern casual confidence rather than refinement or formality.
The design appears intended to deliver maximum impact with a fast, forward-leaning stance, combining chunky weight with rounded geometry for a bold-but-approachable feel. Its proportions and softened corners suggest a focus on branding and display typography where immediacy and character matter more than quiet readability.
The strong slant and compact counters create high visual momentum, especially in all-caps headlines. Rounded corners soften the weight, preventing the texture from becoming overly harsh at large sizes, while the dense forms can start to fill in when set too small or tightly spaced.