Sans Normal Runol 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Aretha' and 'Pelita' by Lafontype (names referenced only for comparison).
Keywords: ui text, captions, labels, data display, presentations, modern, clean, technical, dynamic, neutral, clarity, emphasis, modernization, utility, readability, oblique, monoline, rounded, open apertures, generous spacing.
This is an oblique, monoline sans with rounded curves and a clean, rational construction. Strokes stay visually even, with softly tapered joins and smooth, circular counters in letters like O, C, and G. Terminals are mostly straight-cut and crisp, and many forms show open apertures that keep characters readable at smaller sizes. The overall rhythm is airy, with generous sidebearings and a consistent forward lean across uppercase, lowercase, and numerals.
It should perform well for UI text, labels, captions, and other compact editorial or product contexts where a clean oblique sans is needed. The open shapes and even stroke weight also make it a solid choice for dashboards, tables, and lightweight data display, as well as presentation typography that benefits from a contemporary, energetic slant.
The tone is modern and matter-of-fact, with a subtle sense of motion from the consistent slant. Its restrained shapes and even color feel technical and contemporary rather than expressive or ornamental, giving it a straightforward, utilitarian voice suitable for interface and informational contexts.
The design intention appears to be a practical, contemporary sans optimized for clarity while adding emphasis through an italic/oblique posture rather than through ornament. It aims for a smooth, consistent texture and easy scanning in continuous text, with rounded construction that keeps the overall feel approachable.
Uppercase forms read compact and stable while remaining friendly due to the rounded geometry; the lowercase maintains clear differentiation between similar shapes (notably in a, e, g, and y) without becoming fussy. Numerals follow the same oblique stance and rounded logic, producing a cohesive text color when mixed with letters.