Sans Superellipse Uhri 3 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, ui labels, gaming, techy, futuristic, arcade, industrial, geometric, display impact, tech aesthetic, systematic geometry, retro future, squarish, rounded, chunky, compact, modular.
This typeface is built from chunky, rounded-rectangle forms with smooth corners and largely uniform stroke thickness. Curves are simplified into squared-off bowls and counters, creating a modular rhythm across the alphabet; round letters like O/Q read as squarish frames, while C/G/E are constructed from stepped, horizontal terminals. Apertures are generally tight and counters are compact, which increases the solid, blocky presence. Diagonals appear selectively (notably in K/V/W/X/Y), contrasting with the predominantly orthogonal construction and reinforcing the engineered, grid-like structure.
It performs best in short, high-impact settings such as headlines, branding marks, packaging, and poster titling, where its blocky superelliptical shapes can define a strong visual identity. The squared counters and compact apertures also suit interface labels, wayfinding-style signage, and gaming or tech-themed graphics, especially at medium to large sizes.
The overall tone feels digital and machine-made, with a retro-tech flavor that evokes arcade UI, sci‑fi labeling, and hardware markings. Its strong, squared geometry reads confident and utilitarian, leaning more toward display impact than quiet neutrality.
The design appears intended to translate a strict grid and rounded-rect geometry into a cohesive alphabet that feels both futuristic and robust. By emphasizing orthogonal construction, tight counters, and consistent stroke weight, it aims to deliver a distinctive display voice reminiscent of digital systems and industrial product typography.
Several glyphs show deliberate, stencil-like interruptions and notches (e.g., in B, 8, and some joins), adding a constructed, industrial character without becoming distressed. The punctuation and numerals follow the same rounded-rectilinear logic, keeping the set visually consistent in continuous text.