Sans Superellipse Uhri 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Manufaktur' by Great Scott (names referenced only for comparison).
Keywords: headlines, posters, logos, ui labels, packaging, tech, sci‑fi, industrial, retro‑futurist, game ui, systematic geometry, futuristic tone, display impact, ui clarity, squarish, rounded, geometric, compact, modular.
A squarish geometric sans built from rounded-rectangle forms and soft corners. Strokes are heavy and even, with minimal modulation and a compact, blocky silhouette. Counters tend toward rectangular apertures, and joins are clean and sturdy, giving letters a machined, modular feel. Spacing appears steady and utilitarian, supporting strong word shapes in both uppercase and lowercase while maintaining a consistent rounded-square rhythm across the set.
Best suited for display typography where a compact, tech-forward texture is desirable—headlines, branding marks, product packaging, and interface labels. It can work well in short paragraphs or taglines when set with generous leading and size, but the dense geometry favors larger settings for maximum clarity.
The overall tone is technical and futuristic, with a retro digital flavor reminiscent of industrial labeling and classic game or device interfaces. Its rounded corners keep the voice friendly enough to avoid harshness, while the dense, squared geometry still reads as engineered and robust.
The design appears intended to deliver a consistent rounded-square aesthetic that feels engineered and contemporary, balancing a digital/industrial voice with softened corners for approachability. Its systematic shapes and sturdy rhythm suggest a focus on impactful, high-contrast-in-form display use across branding and interface contexts.
The alphabet leans on simplified construction with squared bowls and short, decisive terminals, which creates strong silhouettes at display sizes. The numerals echo the same rounded-rectangular logic, keeping a cohesive system across letters and figures.