Sans Superellipse Ragaj 11 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry and 'Dharma Gothic', 'Dharma Gothic Rounded', 'Rama Gothic', and 'Rama Gothic Rounded' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, compressed, modern, poster-like, space-saving impact, display emphasis, modern geometry, brand presence, condensed, monoline, blocky, tall, square-rounded.
A condensed, monoline sans built from straight stems and rounded-rectangle curves, giving counters and bowls a squared-yet-soft “superellipse” feel. Strokes are consistently heavy with minimal modulation, and corners tend to be subtly rounded rather than sharp. Proportions are tall and tightly packed, with compact apertures and narrow internal counters that create a dense vertical rhythm. Curves on forms like C, O, and S read as flattened and rectilinear, while diagonals (V, W, X) stay crisp and controlled within the compressed width.
Best suited to headlines, posters, cover lines, and other short-to-medium display text where a compact footprint and strong presence are desirable. It can work well for branding and packaging that benefits from a tall, industrial sans, and for signage or labels where space is limited but impact is needed.
The overall tone is forceful and utilitarian, with a contemporary, engineered character. Its compressed stance and dense color feel attention-grabbing and slightly retro-industrial, suitable for loud, declarative messaging.
The design appears intended to deliver maximum impact in narrow widths by combining heavy, uniform strokes with rounded-rectangle curves for a modernized, constructed look. The consistent geometry and tight counters suggest a focus on bold display settings and compact typographic layouts.
The figures match the same compressed, heavy construction, producing strong, uniform texture in numeric settings. At smaller sizes the tight counters and condensed spacing can make text feel compact and intense, while at larger sizes the rounded-rect geometry becomes a defining stylistic feature.