Sans Normal Abdej 15 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Salma Alfasans' by Alifinart Studio, 'Genora Sans' by Pixesia Studio, 'Clear Sans' by Positype, 'Malnor Sans' by Sikifonts, and 'Antona' by exljbris (names referenced only for comparison).
Keywords: user interfaces, editorial, branding, signage, data display, modern, technical, clean, dynamic, neutral, legibility, modern utility, system tone, text clarity, italic companion, oblique, monoline, open apertures, rounded terminals, generous spacing.
This is a slanted, monoline sans with broad proportions and an even, low-contrast stroke. Forms are built from smooth curves and straight segments with rounded joins and clean terminals, giving letters a crisp, engineered feel. Counters are open and bowl shapes are roomy, while diagonals and curves maintain consistent rhythm across the set. Numerals follow the same oblique construction with simple, legible shapes and steady sidebearings.
It suits UI and product typography where a slanted style is needed without sacrificing clarity, as well as contemporary editorial layouts for emphasis or section setting. The wide proportions and open counters can work well in signage and wayfinding at medium sizes, and the straightforward numerals make it appropriate for dashboards, labels, and light data presentation.
The overall tone is contemporary and efficient, with a slightly kinetic, forward-leaning character. It reads as neutral and utilitarian rather than expressive, lending a calm, professional voice with a subtle sense of motion.
The design appears intended as a practical oblique companion for modern sans typography, prioritizing consistent construction, legibility, and a controlled, contemporary texture in text. Its wide stance and smooth geometry suggest a focus on clarity and a calm, technical presence rather than decorative flair.
Uppercase shapes appear broad and stable, while the lowercase keeps a straightforward, single-storey construction where applicable, emphasizing clarity in continuous text. The italic angle is consistent and avoids calligraphic modulation, reinforcing a clean, system-like aesthetic.