Sans Faceted Afzo 7 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Bilokos' and 'Bilokos Pro' by AukimVisuel (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, sports branding, industrial, gothic, authoritative, sporty, retro, impact, space-saving, signage, branding, distinctiveness, angular, chamfered, condensed, blocky, high-contrast negative.
A condensed, all-caps-forward display sans built from straight strokes and clipped corners, replacing curves with crisp facets. Stems and arms keep a consistent stroke weight, while terminals are sharply chamfered, creating octagonal counters and pointed joins in letters like M, W, V, and X. The design emphasizes tall verticals, tight apertures, and compact bowls, producing a strong, dense texture in words. Numerals and lowercase follow the same faceted construction, with a single-storey a and g and narrow, upright proportions throughout.
Best suited to display settings such as posters, headlines, title treatments, and bold branding where its condensed width and faceted rhythm can pack impact into limited space. It can work well for product packaging, event graphics, sports or team-style marks, and short UI labels when set large enough to preserve the small internal counters.
The overall tone feels forceful and mechanical, with a hard-edged, engineered character that reads as assertive and slightly severe. Its faceted geometry evokes industrial signage and athletic wordmarks, giving it a confident, no-nonsense voice with a retro display edge.
The design appears intended to deliver maximum punch in a compact footprint by combining tall condensed proportions with a consistent, chiseled geometry. By standardizing corners into facets and minimizing curves, it aims for a rugged, sign-like clarity and a distinctive, logo-ready silhouette.
The narrow set and compact interior spaces create a strong headline color, but also make fine details and small counters more sensitive at smaller sizes. Punctuation is minimal in the sample, and the letterforms rely on angular cut-ins and notches for differentiation, which becomes more legible with generous tracking.