Sans Faceted Ufno 3 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Procerus' by Artegra, 'Mega' by Blaze Type, 'Metro Block' by Ghozai Studio, 'Cimo' by Monotype, 'Sharka' by PeGGO Fonts, and 'Debar' by Prominent and Affluent (names referenced only for comparison).
Keywords: posters, headlines, logotypes, signage, packaging, industrial, authoritative, no-nonsense, aggressive, retro, impact, condensed titling, geometric styling, signage look, rugged tone, condensed, chiseled, angular, faceted, octagonal.
A condensed, heavy display sans built from straight strokes and clipped corners, replacing curves with planar facets. Stems are monolinear and rectangular, with frequent octagonal terminals and small interior notches that give counters a carved, mechanical look. Proportions are tall and tightly spaced, with compact apertures and squared-off bowls; the lowercase is similarly narrow with simplified forms and a single-storey structure where applicable. Numerals follow the same vertical, blocky construction, maintaining a consistent, rigid rhythm across the set.
Best suited for short, high-impact settings such as posters, headlines, branding wordmarks, labels, and bold signage. It can also work for sports or industrial-themed graphics and UI headers, where a compact, hard-edged voice is desirable.
The overall tone is forceful and industrial, with a utilitarian, machined character that reads as confident and slightly aggressive. Its faceted construction evokes stamped signage and rugged equipment labeling, giving it a retro-technical edge while staying plainly functional.
The font appears intended as a compact, high-impact display face that maximizes density and presence while using faceted geometry to create a distinctive, machined aesthetic. Its construction prioritizes strong silhouettes and consistent vertical rhythm for attention-grabbing titling.
The design emphasizes verticality and strong silhouette contrast against white space, with distinctive chamfers and small internal cuts that help differentiate similar forms at display sizes. Because counters are tight and joins are abrupt, it benefits from generous tracking and larger sizes where the faceting can be appreciated.