Sans Other Jipu 3 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, interface, futuristic, techno, industrial, sci‑fi, mechanical, tech aesthetic, stencil styling, display impact, systemic design, squared, rounded corners, stencil cuts, geometric, modular.
A geometric sans with squared proportions and softly rounded corners, drawn with consistent stroke thickness and crisp terminals. Many forms use deliberate breaks and inset joints that create a stencil-like construction, especially in curved letters where the bowls are built from segmented arcs. Counters tend to be squarish and compact, while horizontals and verticals stay rigid and orthogonal; diagonals appear mainly in V/W/X/K and are kept sharp and engineered. Overall spacing reads open and steady, with distinctive, modular shapes that maintain strong consistency across uppercase, lowercase, and numerals.
Best suited to short, high-impact settings where its constructed details can be appreciated: headlines, brand marks, entertainment titles, event graphics, and product packaging. It also fits UI/UX labeling, dashboards, and tech-themed motion graphics where a futuristic, industrial voice is desired. For long passages, its stencil breaks and angular rhythm may be more effective as an accent than as body text.
The segmented construction and squared geometry give the font a distinctly futuristic, machine-made tone. It feels technical and schematic—more like interface labeling or hardware markings than conversational text—conveying precision, control, and a mildly dystopian sci‑fi edge.
The design intention appears to be a contemporary techno sans that blends rounded-square geometry with stencil segmentation to create immediate visual character. It prioritizes a distinctive, system-like silhouette and strong display presence while keeping a clean, consistent stroke structure.
Uppercase and lowercase share a closely related skeleton, reinforcing a systemized, constructed look rather than a humanist one. Several glyphs lean on near-rectangular bowls and clipped joins, producing a recognizable rhythm of gaps and right-angle turns. Numerals follow the same modular logic, reading bold and sign-like with minimal ornamentation.