Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Stencil Gete 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Galvani' by Hoftype, 'Binate' by Monotype, 'Sans Beam' by Stawix, 'Nuno' by Type.p, and 'Olivine' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, technical, modern, utilitarian, architectural, stencil aesthetic, industrial labeling, graphic texture, modern signage, geometric, modular, cut-out, high-contrast look, crisp.


Free for commercial use
Customize the font name

A geometric sans with consistent, monolinear strokes and deliberate stencil breaks that create clean bridges through bowls, counters, and terminals. Letterforms lean on simple verticals and near-circular rounds, with a modular feel and sharply cut joins on diagonals. The cut-outs are applied systematically across uppercase, lowercase, and figures, producing a distinctive segmented rhythm while keeping counters open and shapes readable. Numerals and capitals appear sturdy and display-oriented, with squared-off endings and a generally tight, engineered silhouette.

Best suited to headlines, posters, signage, and branding where the stencil segmentation can be a feature rather than a distraction. It can also work for packaging, labels, and UI accents that aim for an industrial or technical mood, while longer paragraphs may feel visually busy due to the repeated breaks.

The overall tone feels industrial and technical, like labeling on equipment or architectural signage. The repeated gaps and hard edges give it a contemporary, engineered attitude that reads precise and utilitarian rather than expressive or calligraphic.

Designed to deliver a clean, modern stencil voice that stays geometric and legible while clearly signaling an industrial, fabricated look. The systematic breaks suggest an intention to mimic cut-out lettering and to create a bold, rhythmic texture in display settings.

The stencil bridges are prominent enough to define the texture at text sizes, especially in rounded letters (O, Q, e, o) where the breaks create a strong graphic beat. Diagonals (A, V, W, X, Y, Z) retain a crisp, cut-metal character, reinforcing the font’s constructed, functional aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸