Sans Other Jubom 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Core Sans C' by S-Core (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, futuristic, technical, modular, industrial, clinical, distinctive texture, tech aesthetic, systematic cuts, brand signature, stencil cuts, geometric, monoline, hard-edged, circular counters.
A geometric sans with monoline strokes and crisp, hard terminals, built from simple arcs and straight segments. Many glyphs feature consistent horizontal stencil-like interruptions that cut through bowls, bars, and stems, creating a segmented rhythm across the alphabet and figures. Round letters lean toward near-perfect circles (O, Q, 0, 8) while verticals are straight and rigid, producing a clean, engineered silhouette. Lowercase forms are compact and modern with single-storey a and g, open apertures, and minimal modulation; numerals follow the same segmented logic and simplified geometry.
Best suited to display uses where the segmented construction can be appreciated—headlines, logotypes, posters, packaging, and environmental or digital signage. It can also work for short UI labels or tech-themed graphics when a clean sans is needed but a conventional neo-grotesk would feel too neutral.
The repeated breaks give the face a constructed, machine-made feel—part wayfinding, part sci‑fi interface. It reads as precise and controlled rather than expressive, with a slightly deconstructed edge that adds attitude without becoming chaotic.
The design appears intended to modernize a straightforward geometric sans by introducing systematic cut-ins that evoke stenciling, segmentation, or scanning lines. This adds a recognizable signature while keeping letterforms disciplined and legible in typical display ranges.
The mid-stroke cuts create distinctive internal negative space that can become a strong texture in larger settings, while also making characters like O/Q/0 and B/8 feel closely related at smaller sizes. The overall spacing and shapes emphasize clarity and uniformity, with the stencil motif acting as the primary identifying feature.