Sans Faceted Siwa 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'RBNo3.1' by René Bieder (names referenced only for comparison).
Keywords: sports branding, esports, posters, headlines, apparel, aggressive, athletic, tactical, industrial, futuristic, impact, speed, ruggedness, tech feel, logo use, angular, faceted, slanted, blocky, compact apertures.
A heavy, slanted sans with sharply faceted construction that replaces curves with clipped planes and chamfered corners. Strokes are broadly uniform and uninterrupted, producing a dense, block-like texture with tight internal counters and small apertures. The geometry leans on beveled diagonals and straight segments, giving round letters like O/Q an octagonal feel and making diagonals in letters such as N, V, W, X read as forceful wedges. Numerals and capitals share the same chunky, forward-leaning stance, maintaining a consistent, high-impact rhythm across the set.
Best suited to display work where impact and motion are desired: sports and esports identities, team marks, event posters, product branding, packaging, and apparel graphics. It also works well for short headlines, labels, and UI moments that need a bold, technical accent rather than long-form readability.
The overall tone is fast, assertive, and competitive, with a rugged edge that feels engineered rather than friendly. Its faceted cuts suggest speed, protection, and machinery, lending a slightly sci‑fi or tactical flavor while staying grounded in sports and action aesthetics.
The design appears intended to deliver maximum visual punch through mass and forward slant, while the planar, beveled forms communicate speed and toughness. The consistent faceting across letters and numbers suggests a focus on cohesive, logo-friendly display typography that stays recognizable under dynamic, high-energy use.
The italic angle is pronounced enough to imply motion, while the faceting introduces strong directional cues and sharp joins that remain legible at display sizes. The tight counters and broad joins create a dark typographic color, so spacing and size become important to keep interior shapes from filling in at smaller settings.