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Free for Commercial Use

Sans Superellipse Fyrud 9 is a very bold, wide, medium contrast, italic, tall x-height font visually similar to 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'PODIUM Sharp' by Machalski, 'PT Filter' by Paavola Type Studio, and 'Eurostile Round' by URW Type Foundry (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, signage, sporty, punchy, confident, modern, energetic, impact, motion, modernity, clarity, branding, rounded, oblique, compact spacing, soft corners, blocky.


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A heavy, oblique sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and steady, with minimal modulation and broad, squared-off terminals that keep counters open despite the weight. Curves tend toward superelliptical forms, giving bowls and rounds a squarish, engineered feel rather than a purely geometric circle. The proportions read wide and stable, and the rhythm is assertive, with strong verticals, blunt joins, and a consistently forward slant that adds momentum without turning into script-like forms.

Best suited to high-impact display settings such as sports identities, event promotions, posters, and packaging where a strong, fast-forward feel is desired. It can also work for short UI labels or signage when you want a robust, modern presence, though the heavy weight and oblique stance are most effective in larger sizes.

The overall tone is bold and athletic, projecting speed and impact while staying clean and contemporary. Its rounded edges temper the aggression of the weight, creating a friendly but commanding voice suited to attention-grabbing messaging.

The design appears intended to deliver maximum impact with a streamlined, engineered aesthetic—combining a forward-leaning posture with rounded-rectangle geometry to suggest motion, strength, and contemporary clarity.

The numerals share the same squared-rounded logic as the letters, with sturdy shapes and generous interior space. Uppercase forms feel compact and sign-like, while lowercase maintains a utilitarian, sturdy structure that stays legible at display sizes. The italic angle is consistent across caps, lowercase, and figures, reinforcing a cohesive, dynamic texture.

120px
108px
96px
84px
72px
64px
56px
48px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸