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Free for Commercial Use

Distressed Itleb 1 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Example' by K-Type, 'Applied Sans' and 'Helvetica Now' by Monotype, 'Pragmatica' by ParaType, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, packaging, apparel, album art, grunge, handmade, rugged, casual, playful, printed texture, handmade feel, rugged display, lo-fi character, roughened, inked, worn, blotchy, chunky.


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A heavy, rounded sans with softly squared curves and noticeably irregular outlines that mimic rough inking or worn printing. Stroke edges are jagged and nicked, with occasional interior voids and uneven counters that create a speckled, distressed texture. Proportions are generally compact with broad shoulders and sturdy verticals, while widths vary slightly from glyph to glyph, reinforcing an organic, hand-stamped rhythm. Numerals and lowercase forms keep the same blunt terminals and textured fill, maintaining consistent visual weight across the set.

Well-suited for display typography where texture is desirable: posters, headlines, stickers, merch and apparel graphics, and packaging needing a handcrafted or worn look. It can also work for short callouts and logos that benefit from a stamped, rugged presence, especially on textured backgrounds.

The overall tone feels gritty and tactile, like lettering pulled from a well-used stamp set or a screen print with imperfect ink coverage. Its friendly rounded shapes keep it approachable, while the distress adds attitude and a lo-fi, streetwise edge.

The design appears intended to deliver a bold, friendly display voice with an intentionally weathered surface, evoking imperfect print processes and hand-made signage. The consistent distressing across letters and numerals suggests a deliberate texture system aimed at adding character without sacrificing overall legibility.

At larger sizes the chipped contours and ink-break details become a defining feature; at smaller sizes the texture may visually fill in and reduce clarity in tight settings. The strongest impression comes from the combination of chunky silhouettes and controlled roughness rather than extreme distortion.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸