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Free for Commercial Use

Distressed Emliv 8 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Aspira' by Durotype, 'EquipCondensed' by Hoftype, 'Breno Narrow' by Monotype, 'Interval Sans Pro' by Mostardesign, 'Geometris' and 'Geometris Round' by NicolassFonts, 'DINosaur Sharp' by Type-Ø-Tones, and 'Cavita' by Underground (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, event promos, playful, rugged, handmade, retro, comic, display impact, handmade feel, print texture, casual branding, chunky, blunt, rounded, inked, textured.


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A chunky, all-caps-forward display face with heavy, rounded forms and blunt terminals. Strokes are broadly even but intentionally imperfect, with roughened edges and small internal nicks that create a printed/inked texture. Counters are compact and slightly irregular, and curves (C, O, S) feel inflated while straight-sided letters (E, F, H, N) stay blocky and sturdy. The lowercase echoes the same weight and texture, with simple, single-storey shapes and compact proportions; numerals are similarly bold and slightly lopsided, reinforcing the handmade rhythm.

Best suited to short, high-impact text where the distressed texture can be appreciated—posters, headlines, packaging callouts, merchandise graphics, and event promotions. It also works well for playful branding moments (badges, labels, social graphics) where an intentionally imperfect, handcrafted look is desirable.

The overall tone is friendly and punchy, with a worn, tactile character that suggests casual craftsmanship rather than precision. It reads as approachable and fun, with a lightly gritty edge that adds personality and a retro, poster-like energy.

The design appears intended to deliver maximum impact with a friendly, rounded silhouette while adding grit through controlled distressing. Its consistent rough texture and sturdy letterforms suggest it was drawn to evoke a worn print aesthetic without sacrificing legibility at display sizes.

Texture appears consistent across glyphs, like a distressed stamp or rough screen print, with occasional speckling and uneven ink spread. Spacing looks generous for a heavy display style, helping keep small counters from clogging in words set at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸