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Free for Commercial Use

Distressed Tema 3 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'DIN Mittel EF' by Elsner+Flake; 'Applied Sans', 'Arial Nova', and 'Helvetica Now' by Monotype; and 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: posters, packaging, headlines, labels, signage, gritty, industrial, hand-stamped, vintage, rugged, add texture, create impact, evoke printwear, signal toughness, rough edge, inked, blocky, poster-like, uneven texture.


Free for commercial use
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A heavy, blocky sans with compact counters and subtly uneven, worn outlines. Strokes stay broadly consistent but show roughened edges and occasional dents that mimic ink spread or distressed printing. Uppercase forms are sturdy and slightly condensed in feel, while the lowercase is simple and utilitarian with single-storey shapes and short, firm terminals. Numerals match the same stout construction, with a clear, poster-oriented silhouette and modest internal apertures.

Best suited to display roles such as posters, packaging fronts, product labels, and signage where a rugged, printed texture is desirable. It can work for short passages or callouts, but the distressed edges and compact counters will read clearest when set with generous size and breathing room.

The overall tone is tough and workmanlike, evoking hand-stamped labels, shop signage, and printed ephemera that’s been handled and weathered. Its texture adds a sense of urgency and authenticity, lending a raw, tactile character rather than a polished corporate voice.

Designed to deliver a strong, impact-first sans voice with a deliberately worn finish, simulating the look of rough printing, stamping, or aged lettering. The goal is to add character and tactility while preserving a stable, straightforward structure for bold messaging.

Spacing appears straightforward and readable in text, but the distressed perimeter and tight counters make it most comfortable at larger sizes where the texture can be appreciated. The irregularity feels systematic rather than chaotic, keeping word shapes stable while still adding grit.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸