Sans Normal Apmun 11 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Contempo Gothic' by Arkitype, 'Oceanwide Pro' by California Type Foundry, 'Nobel Uno' by Designova, 'Heavitas Neue' by Graphite, 'Duplet Open' by Indian Type Foundry, and 'Madani' and 'Madani Arabic' by NamelaType (names referenced only for comparison).
Keywords: ui text, product design, wayfinding, brand systems, editorial display, modern, friendly, clean, neutral, techy, clarity, versatility, neutral branding, contemporary tone, legibility, rounded, geometric, open apertures, low contrast, crisp.
A geometric sans with round, near-circular bowls and a steady, low-contrast stroke. Curves are smooth and generous, terminals are clean, and joins stay crisp without calligraphic modulation. Proportions read on the wide side with roomy counters and open apertures, giving letters a relaxed, breathable texture in text. Forms like the single-storey “a” and “g,” the compact, straightforward “t,” and the diagonal-legged “R” reinforce a contemporary, utilitarian construction.
This font works well for UI and product typography where clarity and even rhythm matter, as well as for signage and informational layouts that benefit from open counters. Its rounded geometric construction also suits brand systems, packaging, and headline settings that need a contemporary, friendly voice without becoming decorative.
The overall tone is modern and approachable: clear, confident shapes with a friendly softness from the rounded geometry. It feels neutral and practical rather than expressive, with a slightly tech-forward cleanliness suited to contemporary interfaces and branding.
The design appears intended as a versatile, general-purpose geometric sans: straightforward construction, consistent stroke behavior, and open shapes aimed at reliable legibility across sizes while maintaining a modern, approachable character.
The numerals follow the same geometric logic, with simple, legible silhouettes and ample interior space (notably in 0, 8, and 9). Uppercase forms are sturdy and even, while lowercase maintains a consistent rhythm and spacing that supports longer passages without looking rigid.