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Free for Commercial Use

Sans Normal Kerah 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'PF Bague Sans Pro' and 'PF Bague Sans Std' by Parachute, 'Clear Sans Screen' by Positype, 'Core Sans NR' by S-Core, and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, energetic, sporty, contemporary, confident, friendly, emphasis, momentum, modernity, impact, clarity, oblique, rounded, geometric, clean, high-impact.


Free for commercial use
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A heavy, oblique sans with smooth, rounded bowls and broadly geometric construction. Strokes are consistently thick with little visible modulation, and curves read as clean ellipses rather than calligraphic forms. The italic slant is pronounced and steady across uppercase, lowercase, and figures, giving the face forward momentum. Apertures are relatively open for the style, while terminals are mostly blunt or softly rounded, keeping the texture dense but legible. Numerals follow the same robust, rounded logic, with clear counters and sturdy diagonals.

Best suited to headlines, punchy subheads, and short blocks of copy where an energetic italic voice is desired. It should perform well in branding and packaging that need a contemporary, high-impact sans, and in sports or event graphics where speed and emphasis are central to the message.

The overall tone is dynamic and assertive, with a fast, athletic feel created by the strong slant and compact, weighty shapes. Despite the punchy presence, the rounded geometry keeps it approachable rather than harsh, making it feel modern and upbeat.

The design appears intended to deliver a modern, energetic italic sans that remains clean and broadly readable while projecting strong presence. Its rounded geometric forms and consistent stroke weight suggest an emphasis on clarity and contemporary branding versatility rather than formal or editorial nuance.

Uppercase forms lean toward simplified, sign-like silhouettes with broad curves (notably in C, G, O, Q) and stable horizontals, while lowercase maintains a clean, contemporary rhythm with single-storey-style simplicity where visible. Spacing appears moderately tight at display sizes, producing a solid, high-contrast-in-mass word shape that holds together well in short lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸