Sans Superellipse Yori 3 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, sports, packaging, industrial, assertive, retro, sporty, poster-ready, impact, signage, ruggedness, headline clarity, brand presence, blocky, squared, rounded, compact, stencil-like.
This typeface uses heavy, compact letterforms built from squared-off geometry softened by rounded corners and superelliptical curves. Counters tend to be small and rectangular, with a crisp, engineered feel; round letters like O and C read as rounded rectangles rather than circles. Strokes are mostly monolinear with occasional pinched joins and tight apertures, and the overall spacing is dense, creating dark, solid word shapes. The lowercase is sturdy and simplified, with single-storey a and g, a short-armed r, and a broad, blunt-shouldered n/m rhythm; numerals follow the same squared, enclosed construction.
Best suited to short, high-impact settings such as headlines, posters, logos, labels, and packaging where dense, blocky forms can deliver punch and presence. It can also work well for sports graphics and bold signage-style applications, especially when a rugged, industrial flavor is desired.
The overall tone is forceful and utilitarian, projecting a no-nonsense, hardworking voice. Its rounded-square construction adds a friendly, vintage-industrial warmth while staying bold and authoritative, making it feel at home in athletic, signage, and equipment-inspired aesthetics.
The font appears designed to maximize visual weight and immediacy through compact, squared forms with softened corners, producing a strong, display-forward voice. Its consistent rounded-rectangular geometry suggests an intention to evoke industrial signage and athletic headline typography while remaining clean and sans-driven.
The design’s tight counters and compact internal spaces create strong impact at larger sizes, but also make fine differentiation between similar forms rely on silhouette and terminals. Capitals are especially uniform and boxy, giving headlines a stamped, machined consistency.