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Serif Normal Porod 9 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Bevenida' by Agny Hasya Studio, 'Franklin-Antiqua' by Berthold, 'Pujarelah' by Differentialtype, and 'Prumo Deck' and 'Ysobel' by Monotype (names referenced only for comparison).

Keywords: headlines, editorial, book covers, magazine titles, posters, traditional, authoritative, formal, literary, classic editorial, display emphasis, print tradition, refined authority, bracketed serifs, ball terminals, tapered joins, calligraphic, oldstyle figures.


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This serif shows pronounced stroke modulation with tapered diagonals and verticals that read as sturdy and confident at display sizes. Serifs are bracketed and relatively short, with crisp finishing and occasional ball-like terminals on select lowercase forms. The lowercase has compact, sturdy bowls and a moderate x-height, while capitals are broad and stately with a classical, print-oriented rhythm. Numerals appear mixed in character, with several oldstyle-style figures (notably the 3, 5, 6, 8, 9) showing descenders/ascenders and calligraphic shaping that adds texture in running text.

Well-suited to headlines, subheads, book-cover titling, and magazine or newspaper-style editorial layouts where its contrast and classical proportions can be appreciated. It can also work for short-to-medium passages when set generously, but it is especially effective as a display serif for impactful typography.

The overall tone is traditional and bookish, with a strong editorial voice. Its high-contrast, sculpted forms feel formal and authoritative, suggesting classic print culture—headlines, literature, and institutional communication—rather than casual or minimalist branding.

The design appears intended to deliver a conventional, classical serif voice with elevated contrast and subtle calligraphic detailing. It aims for a refined, print-centric impression—strong and legible in titles—while maintaining familiar letterforms that feel at home in editorial and literary settings.

The texture is lively: curves transition into stems with noticeable taper and swelling, and joins often feel slightly calligraphic rather than purely geometric. In larger sizes the detailing in terminals and the pronounced modulation become a defining feature; at smaller sizes, the thin hairlines and tight internal counters may require thoughtful sizing and spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸