Sans Superellipse Ablip 7 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Iki Mono' by CAST, 'TheSans Mono' by LucasFonts, 'Arbeit Technik' by Studio Few, and 'Botanika' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: code ui, terminal, tables, forms, labels, utilitarian, technical, retro, clean, neutral, alignment, clarity, ui utility, system feel, softened geometry, rounded corners, boxy rounds, uniform rhythm, sturdy, plainspoken.
A pragmatic monospaced sans with squared-off construction and noticeably rounded corners throughout. Curves are built from rounded-rectangle geometry, giving bowls and counters a compact, “soft box” feel rather than true circular forms. Strokes remain even and consistent, with blunt terminals and minimal modulation, producing a steady, grid-friendly texture. Uppercase proportions are compact and sturdy, while the lowercase keeps simple, open shapes and clear punctuation with circular dots.
Well suited to code editors, terminal or console UIs, and any layout needing strict character alignment such as tables, data readouts, forms, and spec sheets. The rounded-rectangle construction also works nicely for interface labels, system dashboards, and compact technical documentation where a stable rhythm and clear separation of characters matter.
The overall tone is functional and matter-of-fact, with a subtle retro-computing flavor from the monospaced cadence and squared, softened forms. It reads as technical and dependable rather than expressive, lending a calm, no-nonsense voice to text.
The design appears intended to deliver a highly regular, monospaced reading experience with softened geometry—combining the discipline of fixed-width spacing with rounded corners to reduce harshness. Its simplified shapes and uniform stroke behavior suggest an emphasis on clarity, consistency, and predictable layout in technical contexts.
Round characters (like C, O, and 0) lean toward superelliptical, squarish silhouettes, and diagonals (V, W, X, Y) feel slightly engineered and robust. Numerals are straightforward and highly consistent in width, reinforcing a disciplined, tabular appearance in running text.