Sans Superellipse Erfy 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bank Sans EF' by Elsner+Flake and 'Quantico' by MADType (names referenced only for comparison).
Keywords: sports branding, headlines, posters, gaming ui, product logos, sporty, techy, dynamic, industrial, futuristic, impact, speed, modernity, branding, display, rounded, squared, compact, angular, streamlined.
A slanted, heavy sans built from squared-off, superellipse-like bowls and rounded-rectangle counters. Strokes are uniformly weighty with low contrast, and terminals tend to be blunt or slightly chamfered, creating crisp corners without sharp fragility. The proportions read compact and efficient, with wide, boxy curves in letters like O/C/D and tight apertures that keep forms dense at display sizes. Numerals echo the same squared curvature and strong footing, producing a cohesive, signage-like rhythm across letters and figures.
This font is well suited to headlines, sports and motorsport branding, gaming and tech interface titling, and punchy poster or packaging statements. It performs best when set larger, where its squared counters and angled details can register clearly, and works especially well for short lines, labels, and logo-style wordmarks.
The overall tone is fast, assertive, and contemporary—more performance-oriented than friendly. Its angled stance and compressed, squared curves suggest speed, machinery, and modern interfaces, giving it a confident, slightly aggressive presence.
The design appears intended to deliver a modern, speed-inflected sans with robust shapes and a squared-round construction that stays legible while projecting impact. Its consistent, low-contrast stroke system and superelliptical geometry aim for a clean, engineered look that feels ready for branding and display applications.
Diagonal joins and angled cuts show up consistently in the capitals and in glyphs like k, v, w, x, reinforcing a forward-leaning, motion-driven texture. The design favors strong silhouettes and interior shapes that stay open enough to read in short bursts, while remaining intentionally compact in longer text.