Sans Superellipse Imdom 3 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Snasm' by Typodermic (names referenced only for comparison).
Keywords: sports branding, racing graphics, tech branding, headlines, posters, sporty, futuristic, dynamic, aggressive, industrial, speed, impact, modernity, precision, branding, oblique, extended, rounded corners, closed apertures, slanted terminals.
A heavy, extended oblique sans with rounded-rectangle construction and consistently softened corners. Strokes are monolinear and dense, with compact counters and largely closed apertures that emphasize a solid, aerodynamic silhouette. Terminals are clean and angled, and many joins and curves resolve into superelliptical bowls, producing a smooth, engineered look rather than a calligraphic one. The uppercase feels broad and stable, while the lowercase maintains a strong, compact rhythm with short ascenders/descenders and a prominent, blocky presence.
Best suited for bold display applications such as sports and esports identities, racing-themed graphics, tech/product branding, packaging, posters, and impactful headlines. It can also work for short UI labels or wayfinding-style callouts when set with generous spacing and contrast against the background.
The overall tone is fast and performance-driven—like motorsport branding, tech hardware, or sci‑fi UI labeling. Its slant and wide stance add forward motion and urgency, while the rounded geometry keeps it polished and modern rather than harsh.
The design appears intended to deliver an assertive, high-speed voice using a wide, oblique stance and superelliptical rounding, balancing mechanical precision with approachable smoothness. Its condensed internal spaces and strong horizontals/diagonals prioritize visual punch and a cohesive, futuristic texture.
The sample text shows strong word-shape continuity and a tight, compact texture at display sizes, with punctuation and numerals matching the same streamlined, rounded-rect aesthetic. The dense forms and narrow internal spaces suggest it will read best when given enough size and breathing room, especially in longer lines.