Serif Flared Tobi 1 is a bold, very wide, high contrast, upright, normal x-height font visually similar to 'Copperplate Gothic' by Bitstream, 'Copperplate EF' by Elsner+Flake, 'Copperplate Gothic' by Linotype, 'Copperplate SB' and 'Copperplate SH' by Scangraphic Digital Type Collection, 'Copper Penny' by The Fontry, 'Copperplate Gothic' by Tilde, and 'Copperplate' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, editorial, posters, book covers, branding, authoritative, classical, institutional, ceremonial, headline impact, classic tone, brand authority, editorial voice, bracketed, flared, sculpted, crisp, sharp.
A robust serif with pronounced thick–thin modulation and a broad stance. Vertical stems taper into subtly flared, bracketed terminals, while horizontal strokes stay crisp and comparatively hairline, producing a carved, calligraphic rhythm. Bowls are generously proportioned and counters remain open despite the heavy weight, giving the face strong presence without collapsing interior space. The overall drawing favors sharp joins, confident curves, and slightly condensed apertures in letters like C and S, reinforcing a firm, editorial texture in lines of text.
This font performs best at display sizes where its contrast and flared terminals can be appreciated—headlines, magazine titles, posters, and book covers. It can also support brand marks and packaging that aim for a classic, authoritative voice, especially when paired with a calmer text face for body copy.
The tone is formal and emphatic, suggesting tradition, authority, and a slightly dramatic, engraved sensibility. It reads as confident and ceremonial—well suited to messaging that needs to feel established and intentional rather than casual.
The design appears intended to combine classical serif cues with energetic stroke shaping, using flared terminals and strong modulation to deliver impact and a stately presence. It prioritizes distinctive texture and headline authority while keeping counters open enough for short-form reading.
In text, the face builds a strong horizontal banding from dark verticals and light cross-strokes, creating a lively contrast pattern. Numerals show the same sculpted construction, with curving figures (notably 2, 3, 5) leaning on sharp terminals and swelling strokes for a distinctive, display-forward color.