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Free for Commercial Use

Sans Superellipse Fimat 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to '1955' by Alan Smithee Studio, 'Afical' by Formatype Foundry, 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype, 'Monto Screen' by Lucas Tillian, and 'Clinto' by XdCreative (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, bold, confident, modern, impact, modernize, energize, soften edges, brand punch, rounded, blunt, oblique, compact spacing, soft corners.


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A heavy, oblique sans with rounded, blunt terminals and smoothly squared curves that feel built from softened rectangles. Counters are fairly open for the weight, with consistent, low-modulation strokes and sturdy joins that keep shapes cohesive. Proportions lean broad and stable, while the italic slant and tight rhythm create forward motion. The lowercase shows single-story forms where expected, with a prominent, geometric feel and clearly differentiated numerals.

Best suited to large-scale applications such as headlines, posters, campaign graphics, and bold brand moments where speed and impact matter. It can work well for sports and fitness identities, product packaging, and punchy UI callouts, especially when the rounded construction supports a friendly but forceful voice.

The overall tone is energetic and assertive, combining a friendly softness from the rounded geometry with a punchy, high-impact presence. It reads as contemporary and action-oriented, well suited to attention-grabbing messaging without feeling sharp or aggressive.

The design appears intended to deliver maximum visual impact with a modern, streamlined silhouette—pairing a strong oblique stance with softened, superelliptical curves for a balance of urgency and approachability.

The superelliptical rounding gives letters a distinctly engineered look—more cushioned than purely geometric. At larger sizes the shapes feel clean and logo-ready, while in longer text the weight and obliqueness create a strong texture that favors short bursts over extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸